{"id":12993,"date":"2018-01-12T20:38:09","date_gmt":"2018-01-13T01:38:09","guid":{"rendered":"https:\/\/www.mdcthereporter.com\/?p=12993"},"modified":"2020-09-17T14:24:51","modified_gmt":"2020-09-17T18:24:51","slug":"money-world-cant-save-hollow-film","status":"publish","type":"post","link":"https:\/\/mdcthereporter.com\/staging\/8357\/money-world-cant-save-hollow-film\/","title":{"rendered":"All The Money In The World Can\u2019t Save A Hollow Film"},"content":{"rendered":"<p><span style=\"font-weight: 400;\">Well, <a href=\"https:\/\/www.imdb.com\/name\/nm0000631\/\"><span style=\"color: #0000ff;\">Ridley Scott<\/span><\/a> did it. After a tumultuous two months that led <\/span><i><span style=\"font-weight: 400;\">All The Money in the World\u2019s<\/span><\/i><span style=\"font-weight: 400;\"> original star, <a href=\"https:\/\/www.mdcthereporter.com\/hollywood-sees-fall-role-models\/\"><span style=\"color: #0000ff;\">Kevin Spacey<\/span><\/a>, to be edited out and recast with Christopher Plummer, Scott has managed to deliver a film that is coherent, which is an achievement under the circumstances.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Whether it\u2019s fully complete, though, is another story.<\/span><\/p>\n<p><i><span style=\"font-weight: 400;\">All the Money in the World<\/span><\/i><span style=\"font-weight: 400;\"> dramatizes the kidnapping of oil tycoon J. Paul Getty\u2019s (Plummer) grandson, J. Paul Getty III (Charlie Plummer, unrelated), and his family\u2019s quest to get the elder Getty ransom. With Getty unwilling to pay, the boy\u2019s fate rests with his mother Gail (Michelle Williams) and the tycoon\u2019s adviser, Fletcher Chase (Mark Wahlberg).<\/span><\/p>\n<p><span style=\"font-weight: 400;\">With a stacked cast like this, supported by Timothy Hutton and Romain Duris, the\u00a0<\/span><span style=\"font-weight: 400;\">expectations are certainly high. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">And, for the most part, they\u2019re met. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">The movie\u2019s script, written by David Scarpa based off John Pearson\u2019s <\/span><i><span style=\"font-weight: 400;\">Painfully Rich: The Outrageous Fortunes and Misfortunes of the Heirs of J. Paul Gett<\/span><\/i><span style=\"font-weight: 400;\">y, is certainly well-structured and tight. Williams and Wahlberg are at their best, with the former turning in a strong follow-up to her Oscar-nominated performance in 2016\u2019s<\/span><i><span style=\"font-weight: 400;\"> Manchester by the Sea<\/span><\/i><span style=\"font-weight: 400;\">. Scott, just recently turned 80, shows that he can still deliver a compelling drama after last year\u2019s dismal <\/span><i><span style=\"font-weight: 400;\">Alien: Covenant. <\/span><\/i><span style=\"font-weight: 400;\">In short, the parts are there for a great film.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Despite this, we\u2019re left with a good one. <\/span><i><span style=\"font-weight: 400;\">All the Money in the World<\/span><\/i><span style=\"font-weight: 400;\"> serves as both a crime thriller and a family drama, balancing the stakes of young Paul\u2019s kidnapping with Gail\u2019s constant plea for Getty to pay the ransom. While both are compelling on film, the movie never truly breaks through the screen. I can see Gail crying for her son, but I can\u2019t feel her despair. I can detect family tension, but I never feel in the middle of it all. As the film continues throughout<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">its two hours and 12 minutes, the disparity becomes more noticeable.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">Ironically, the film\u2019s best component is the elder Plummer. Reportedly Scott\u2019s first choice before being pressured to cast a \u201cbigger star\u201d in Spacey. Plummer alleviates any fear one may have had going into the film. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">As Getty, Plummer brings a certain pompousness to the role, infusing a certain charisma to the frugal, close-minded businessman, almost like a comedic Captain Von Trapp. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">Is it Oscar-worthy? Not quite, but it\u2019s certainly entertaining to watch.<\/span><\/p>\n<p><i><span style=\"font-weight: 400;\">All the Money in the World <\/span><\/i><span style=\"font-weight: 400;\">is certainly not a bad film. In fact, it\u2019s probably the best cinematic achievement of the year solely due to its existence. Yet, despite the ingredients for\u00a0<\/span><span style=\"font-weight: 400;\">greatness, the film manages to be a solid \u201cgood.\u201d<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Well, Ridley Scott did it. After a tumultuous two months that led All The Money in the World\u2019s original star, Kevin Spacey, to be edited out and recast with Christopher Plummer, Scott has managed to deliver a film that is coherent, which is an achievement under the circumstances. Whether it\u2019s fully complete, though, is another [&hellip;]<\/p>\n","protected":false},"author":466,"featured_media":12996,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","tdm_status":"","tdm_grid_status":"","footnotes":""},"categories":[11],"tags":[37,79,263],"class_list":{"0":"post-12993","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-ae","8":"tag-film","9":"tag-movie-review","10":"tag-movies"},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>All The Money In The World Can\u2019t Save A Hollow Film<\/title>\n<meta name=\"description\" content=\"Even the most skeptical critics have to applaud Ridley Scott editing out Kevin Spacey two months before a release, but even Christopher Plummer\u2019s performance can\u2019t help when most of the emotion in the film 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