{"id":2304,"date":"2014-09-19T15:49:06","date_gmt":"2014-09-19T19:49:06","guid":{"rendered":"http:\/\/www.mdcthereporter.com\/?p=2304"},"modified":"2016-11-23T21:49:09","modified_gmt":"2016-11-24T02:49:09","slug":"most-anticipated-movies-of-fall-2014","status":"publish","type":"post","link":"https:\/\/mdcthereporter.com\/staging\/8357\/most-anticipated-movies-of-fall-2014\/","title":{"rendered":"Most Anticipated Movies of Fall 2014"},"content":{"rendered":"

12<\/i><\/b><\/p>\n

\"Lost_river\"<\/a>
COURTESY OF WARNER BROS. PICTURES<\/figcaption><\/figure>\n

Lost River<\/span><\/i><\/p>\n

When it was announced that Ryan Gosling would be making his directorial debut telling a story of an underwater town and monsters, my first thought was, \u2018Awesome.\u2019 But when the film premiered at Cannes this past May, reactions were anything but. Many cited a Gosling incapable of separating his directorial flourishes from the influencers they originated from, such as David Lynch and Nicolas Winding Refn. While the negativity surrounding the film is undesirable, I remain hopeful. Universal adoration isn\u2019t something polarizing works often call home. Refn\u2019s <\/span>Only God Forgives <\/span><\/i>and Ridley Scott\u2019s <\/span>The Counselor <\/span><\/i>were both annihilated by critics, and they ended up being two of my favorite 2014 films. I\u2019m looking for a three-peat in <\/span>Lost River<\/span><\/i>.<\/span><\/p>\n

Synopsis: <\/b>A single mother is swept into a dark underworld, while her teenage son discovers a road that leads him to a secret underwater town;<\/span> Written and Directed by<\/b> Ryan Gosling; <\/span>Starring<\/b> Christina Hendricks, Saoirse Ronan, Eva Mendes, Matt Smith and Ben Mendelsohn;<\/span> Release Date: <\/b>TBA<\/span><\/p>\n

11<\/i><\/b><\/p>\n

\"Majove_front\"<\/a>
COURTESY OF MICA ENTERTAINMENT<\/figcaption><\/figure>\n

Mojave<\/span><\/i><\/p>\n

Writer-director William Monahan has penned a few mediocre movies (<\/span>Body of Lies<\/span><\/i>, <\/span>Edge of Darkness<\/span><\/i>, <\/span>London Boulevard<\/span><\/i>), and a couple of good ones (<\/span>Kingdom of Heaven<\/span><\/i>, <\/span>The Departed<\/span><\/i>). Outside of the paper, he\u2019s directed two films, <\/span>London Boulevard <\/span><\/i>and now the desert thriller <\/span>Mojave<\/span><\/i>. A trailer has yet to surface, so I\u2019m not sure what the movie will feel like tonally, but I\u2019m hoping for the patience of David Mich\u00f4d\u2019s Australian drama <\/span>The Rover<\/span><\/i>.<\/span><\/p>\n

Synopsis: <\/b>A suicidal artist goes into the desert, where he finds his doppelg\u00e4nger, a homicidal drifter; <\/span>Written and Directed by <\/b>William Monahan; <\/span>Starring <\/b>Garrett Hedlund, Oscar Isaac, Dania Ramirez and Mark Wahlberg; <\/span>Release Date: <\/b>TBA<\/span><\/p>\n

 <\/p>\n

10<\/i><\/b><\/p>\n

\"Fury_front\"<\/a>
COURTESY OF COLUMBIA PICTURES<\/figcaption><\/figure>\n

Fury<\/span><\/i><\/p>\n

I throw my hands up in the Ayer sometimes, and when I do I usually have a good time. David Ayer (who struck gold in 2001 with his screenplay for <\/span>Training Day<\/span><\/i>) has written and directed some hits and misses, but his work is almost always entertaining. It wasn\u2019t until 2012\u2019s intense cop drama <\/span>End of Watch<\/span><\/i> that I really took to Ayer and made sure to follow his future work. <\/span>Sabotage <\/span><\/i>followed (and stumbled) earlier this year, but like Ayer\u2019s other blunders, I had fun with it. Now his second film of the year is on the rise, the World War II tank drama <\/span>Fury<\/span><\/i>, starring Brad Pitt, Logan Lerman, Shia LaBeouf, Michael Pe\u00f1a and Jon Bernthal. This thing looks really great; it could be Ayer\u2019s best work.<\/span><\/p>\n

Synopsis: <\/b>April, 1945. As the Allies make their final push in the European Theatre, a battle-hardened army sergeant named Wardaddy commands a Sherman tank and her five-man crew on a deadly mission behind enemy lines. Outnumbered and outgunned, and with a rookie soldier thrust into their platoon, Wardaddy and his men face overwhelming odds in their heroic attempts to strike at the heart of Nazi Germany; <\/span>Written and Directed by <\/b>David Ayer; <\/span>Starring <\/b>Brad Pitt, Logan Lerman, Shia LaBeouf, Michael Pe\u00f1a and Jon Bernthal; <\/span>Release Date: <\/b>October 17<\/span><\/p>\n

9<\/i><\/b><\/p>\n

\"Exodus_front\"<\/a>
COURTESY OF 20th CENTURY FOX<\/figcaption><\/figure>\n

Exodus: Gods and Kings<\/span><\/i><\/p>\n

Although Ridley Scott is one of my favorite directors, I won\u2019t sit here and tell you that the sword-and-sandal epic <\/span>Exodus: Gods and Kings <\/span><\/i>couldn\u2019t potentially be a mess; and that\u2019s why I\u2019m excited for it. Scott has taken risks lately with films like <\/span>Prometheus<\/span><\/i> and <\/span>The Counselor<\/span><\/i>, mortality tales which beguiled and perplexed the world but did wonders for me. In a 2012 <\/span>Playboy<\/span><\/i> interview, Quentin Tarantino spoke about how directors typically don\u2019t get better as they get older. \u201cI\u2019m on a journey that needs to have an end and not be about me trying to get another job,\u201d he said. \u201cEven if it\u2019s old and I\u2019m washed up, I\u2019d still want to do it. I want this artistic journey to have a climax. I want to work toward something.\u201d The 76-year-old Scott certainly seems to be pursuing something and whatever it is, I\u2019m more than happy to continue taking the ride.<\/span><\/p>\n

Synopsis:<\/b> An account of Moses\u2019 hand in leading the Israelite slaves out of Egypt; <\/span>Directed by <\/b>Ridley Scott; <\/span>Screenplay by <\/b>Steven Zaillian; <\/span>Starring <\/b>Christian Bale, Joel Edgerton, Sigourney Weaver, Aaron Paul, John Turturro and Ben Kingsley; <\/span>Release Date: <\/b>December 12<\/span><\/p>\n

 <\/p>\n

8<\/i><\/b><\/p>\n

\"foxcatcher_front\"<\/a>
COURTESY OF SONY PICTURES CLASSICS<\/figcaption><\/figure>\n

Foxcatcher<\/span><\/i><\/p>\n

Originally slated for a December 2013 release, Bennett Miller\u2019s <\/span>Foxcatcher <\/span><\/i>will finally be hitting theaters this November with high praise from Cannes to spare. I really enjoyed Miller\u2019s last two (<\/span>Capote<\/span><\/i>, <\/span>Moneyball<\/span><\/i>) and have high expectations for this. Mark Ruffalo is always fine, but my attention is focused on Channing Tatum and Steve Carell, who respectively play wrestler Mark Schultz and paranoid schizophrenic, multimillionaire sponsor John du Pont. From <\/span>Step Up <\/span><\/i>to Soderbergh, Tatum has really grown over the years, and <\/span>Foxcatcher <\/span><\/i>seems like it\u2019ll be one of the most notable marks in his filmography. The same goes for Carell, who\u2019s left his comedic comforts for the creepy and unsettling.<\/span><\/p>\n

Synopsis: <\/b>Based on the true story of Mark Schultz, an Olympic wrestler whose relationship with sponsor John du Pont and brother Dave Schultz would lead to unlikely circumstances; <\/span>Directed by <\/b>Bennett Miller; <\/span>Screenplay by <\/b>E. Max Frye and Dan Futterma; <\/span>Starring <\/b>Channing Tatum, Steve Carell, Mark Ruffalo, Vanessa Redgrave and Sienna Miller; <\/span>Release Date: <\/b>November 14<\/span><\/p>\n

7<\/i><\/b><\/p>\n

\"Kill_the_messenger_front\"<\/a>
COURTESY OF FOCUS FEATURES<\/figcaption><\/figure>\n

Kill the Messenger<\/span><\/i><\/p>\n

Kid Cudi\u2019s grand <\/span>REVOFEV <\/span><\/i>gets the job done damn well in the trailer for <\/span>Kill the Messenger<\/span><\/i>, a bio-drama based on journalist Gary Webb\u2019s unearthing of the CIA\u2019s cocaine filled dealings. As soon as the track hits, I\u2019m transported; and then there\u2019s Jeremy Renner\u2019s (who I like a lot) top billing. He\u2019s been in the business for about 20 years but didn\u2019t see real success until the past seven. (2008\u2019s <\/span>The Hurt Locker <\/span><\/i>being his notable splash.) Since then I\u2019ve enjoyed pretty much everything he\u2019s done; even <\/span>Hansel & Gretel: Witch Hunters<\/span><\/i>, which is forgettable but brisk fun. <\/span>Kill the Messenger <\/span><\/i>has real potential to be great.<\/span><\/p>\n

Synopsis: <\/b>A reporter becomes the target of a vicious smear campaign that drives him to the point of suicide after he exposes the CIA\u2019s role in arming Contra rebels in Nicaragua and importing cocaine into California. Based on the true story of journalist Gary Webb; <\/span>Directed by <\/b>Michael Cuesta; <\/span>Screenplay by <\/b>Peter Landesman; <\/span>Starring <\/b>Jeremy Renner, Michael Sheen, Mary Elizabeth Winstead, Andy Garcia, Ray Liotta, Paz Vega, Robert Patrick, Michael K. Williams, Oliver Platt, Rosemarie DeWitt and Barry Pepper; <\/span>Release Date: <\/b>October 10<\/span><\/p>\n

6<\/i><\/b><\/p>\n

\"disappearances_front\"<\/a>
COURTESY OF THE WEINSTEIN COMPANY<\/figcaption><\/figure>\n

The Disappearance of Eleanor Rigby<\/span><\/i><\/p>\n

Making its premiere at last year\u2019s TIFF (Toronto International Film Festival),<\/span>The Disappearance of Eleanor Rigby <\/span><\/i>was originally a two-part film, respectively titled <\/span>Him <\/span><\/i>and <\/span>Her<\/span><\/i>. The two parts were then edited together in the form of <\/span>Them<\/span><\/i>, which saw Cannes this year and will see theaters in September. (<\/span>Him <\/span><\/i>and <\/span>Her <\/span><\/i>will also be released, in select art house cinemas in October.) While I\u2019m attracted to the material for personal, romantic reasons, it\u2019s the way in which the narrative varies in perspective that really piques my curiosity.<\/span><\/p>\n

Synopsis: <\/b>One married couple\u2019s story as they try to reclaim the life and love they once knew and pick up the pieces of a past that may be too far gone; <\/span>Written and<\/b> Directed by <\/b>Ned Benson; <\/span>Starring <\/b>Jessica Chastain,James McAvoy, William Hurt, Bill Hader, Viola Davis and Isabelle Hubbert; <\/span>Release Date: <\/b>September 12<\/span><\/p>\n

 <\/p>\n

5<\/i><\/b><\/p>\n

\"Violent_year\"<\/a>
COURTESY OF A24 FILMS<\/figcaption><\/figure>\n

A Most Violent Year<\/span><\/i><\/p>\n

Writer-director J.C. Chandor appears to be growing. His 2011 Wall Street drama, <\/span>Margin Call<\/span><\/i>, I enjoyed. Last year\u2019s quiet, seafaring drama, <\/span>All Is Lost<\/span><\/i>, I liked. But with <\/span>A Most Violent Year<\/span><\/i>, I can really see Chandor knocking it out of the park. New York City. 1980s. Crime. Corruption. Bring it.<\/span><\/p>\n

Synopsis: <\/b>A thriller set in New York City during the winter of 1981, statistically one of the most violent years in the city\u2019s history, and centered on the lives of an immigrant and his family trying to expand their business and capitalize on opportunities as the rampant violence, decay, and corruption of the day drag them in and threaten to destroy all they have built; <\/span>Written and<\/b> Directed by <\/b>J.C. Chandor; <\/span>Starring <\/b>Oscar Isaac, Jessica Chastain, Albert Brooks, David Oyelowo and Alessandro Nivola; <\/span>Release Date: <\/b>TBA<\/span><\/p>\n

4<\/i><\/b><\/p>\n

\"inherent_vice\"<\/a>
COURTESY OF WARNER BROS. PICTURES<\/figcaption><\/figure>\n

Inherent Vice<\/span><\/i><\/p>\n

Thomas Pynchon\u2019s <\/span>Inherent Vice <\/span><\/i>is a book I intend on reading before the movie hits theaters on December 12. Mysteries, particularly crime novels, are a personal favorite. I\u2019m not familiar with the material, but from the outside it looks like very different territory for Paul Thomas Anderson. I\u2019ll have a better idea once I read the book.<\/span><\/p>\n

Synopsis: <\/b>The year is 1970 in Los Angeles and drug-fueled detective Larry \u201cDoc\u201d Sportello investigates the disappearance of a former girlfriend; <\/span>Written and<\/b> Directed by <\/b>Paul Thomas Anderson; <\/span>Starring <\/b>Joaquin Phoenix, Josh Brolin, Jena Malone, Benicio Del Toro, Martin Short, Reese Witherspoon, Owen Wilson, Eric Roberts, Michael K. Williams, Maya Rudolph and Sasha Pieterse; <\/span>Release Date: <\/b>December 12<\/span><\/p>\n

 <\/p>\n

3<\/i><\/b><\/p>\n

\"nightcrawler_front\"<\/a>
COURTESY OF OPEN ROAD FILMS<\/figcaption><\/figure>\n

Nightcrawler<\/span><\/i><\/p>\n

There\u2019s nothing I like more than a perfectly placed piece of music. The trailer for Dan Gilroy\u2019s <\/span>Nightcrawler<\/span><\/i> is an absolute wonder and one of my favorites of the year. In a small piece I wrote on the film last month, I talked about the entrancing sounds found in the preview.<\/span><\/p>\n

\u2018Set to CSS\u2019 White Lies-Ladytron offspring <\/span>Faith in Love<\/span><\/i>, this trailer is a shining example of how powerful a brilliantly placed song can be,\u2019 I said. \u2018Stern piano chords open the preview and build towards a cathartic crescendo of subtle electronics and distant voices that complement the film\u2019s apparent theme of obsession.\u2019<\/span><\/p>\n

Twenty pounds lighter for the role, Jake Gyllenhaal plays a manic, freelance journalist traversing the seedy underworld of Los Angeles in his red Challenger SRT8 392, photographing grisly crime scenes along the way. Even though Gyllenhaal was nominated back in 2006 for his work in <\/span>Brokeback Mountain<\/span><\/i>, he\u2019s always seemed like the silent assassin of the industry, continually giving strong performances while managing to evade the attention of most. I think his cover\u2019s about to be blown with this movie.<\/span><\/p>\n

Synopsis: <\/b>A young man stumbles upon the underground world of L.A. freelance crime journalism; <\/span>Written and<\/b> Directed by <\/b>Dan Gilroy; <\/span>Starring <\/b>Jake Gyllenhaal, Rene Russo, Bill Paxton and Riz Ahmed; <\/span>Release Date: <\/b>October 31<\/span><\/p>\n

 <\/p>\n

2<\/i><\/b><\/p>\n

\"gone_girl\"<\/a>
COURTESY OF 20th CENTURY FOX<\/figcaption><\/figure>\n

Gone Girl<\/span><\/i><\/p>\n

I read the Gillian Flynn mystery <\/span>Gone Girl<\/span><\/i> late last year in preparation for the movie hitting theaters this October. To say that the novel\u2019s loopy narrative is a tough thing to adapt is an understatement. Even with Flynn penning the screenplay herself and dark man David Fincher at the helm, this will be no easy feat. But I\u2019m confident it\u2019ll be great and more interested in seeing how they\u2019ll make it great versus how they could screw it up. And if there\u2019s one thing I\u2019m probably anticipating more than the movie itself, it\u2019s Trent Reznor and Atticus Ross\u2019 score.<\/span><\/p>\n

Synopsis: <\/b>With his wife\u2019s disappearance having become the focus of an intense media circus, a man sees the spotlight turned on him when it\u2019s suspected that he may not be innocent; <\/span>Directed by <\/b>David Fincher; <\/span>Screenplay by <\/b>Gillian Flynn; <\/span>Starring <\/b>Ben Affleck, Rosamund Pike, Neil Patrick Harris, Tyler Perry, Carrie Coon and Kim Dickens; <\/span>Release Date: <\/b>October 3<\/span><\/p>\n

1<\/i><\/b><\/p>\n

\"interstellar_in\"<\/a>
COURTESY OF PARAMOUNT PICTURES<\/figcaption><\/figure>\n

Interstellar<\/span><\/i><\/p>\n

It was in 2006 when <\/span>Interstellar <\/span><\/i>existed as just a treatment conceived by producer Lynda Obst and long-time friend, physicist Dr. Kip S. Thorne. By 2007 it was readying for a screenplay adaptation by Jonah Nolan, brother of Christopher Nolan. Steven Spielberg was considering directing. Impressively and admirably, Jonah spent four years at Caltech studying relativity while putting together the script in order to further his knowledge on the film\u2019s topic. Here we are in 2014 with the finished product, directed by Christopher Nolan. I haven\u2019t anticipated a movie this much in quite some time, and I think it has something to do with the unlimited possibilities of such a grandiose piece of science fiction. This genre, to me, is the greatest landscape for creativity and exploration; and to have a filmmaker like Nolan helming it makes me excited beyond my wildest dreams\u2014I\u2019m ready for interstellar travel.<\/span><\/p>\n

Synopsis: <\/b>A group of explorers make use of a newly discovered wormhole to surpass the limitations on human space travel and conquer the vast distances involved in an interstellar voyage; <\/span>Directed by <\/b>Christopher Nolan; <\/span>Screenplay by <\/b>Jonah Nolan and Christopher Nolan; <\/span>Starring <\/b>Matthew McConaughey, Anne Hathaway, Jessica Chastain, Mackenzie Foy, Timoth\u00e9e Chalamet, Michael Caine, Wes Bentley, David Gyasi, Casey Affleck, Topher Grace, John Lithgow, David Oyelowo, Bill Irwin and Ellen Burstyn; <\/span>Release Date: <\/b>November 7<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

12 Lost River When it was announced that Ryan Gosling would be making his directorial debut telling a story of an underwater town and monsters, my first thought was, \u2018Awesome.\u2019 But when the film premiered at Cannes this past May, reactions were anything but. Many cited a Gosling incapable of separating his directorial flourishes from […]<\/p>\n","protected":false},"author":144,"featured_media":9013,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","tdm_status":"","tdm_grid_status":"","footnotes":""},"categories":[11],"tags":[263],"class_list":{"0":"post-2304","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-ae","8":"tag-movies"},"yoast_head":"\nMost Anticipated Movies of Fall 2014 - The Reporter: The Student Newspaper at Miami Dade College<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/mdcthereporter.com\/most-anticipated-movies-of-fall-2014\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Most Anticipated Movies of Fall 2014 - The Reporter: The Student Newspaper at Miami Dade College\" \/>\n<meta property=\"og:description\" content=\"12 Lost River When it was announced that Ryan Gosling would be making his directorial debut telling a story of an underwater town and monsters, my first thought was, \u2018Awesome.\u2019 But when the film premiered at Cannes this past May, reactions were anything but. Many cited a Gosling incapable of separating his directorial flourishes from […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/mdcthereporter.com\/most-anticipated-movies-of-fall-2014\/\" \/>\n<meta property=\"og:site_name\" content=\"The Reporter: The Student Newspaper at Miami Dade College\" \/>\n<meta property=\"article:published_time\" content=\"2014-09-19T19:49:06+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2016-11-24T02:49:09+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/mdcthereporter.com\/wp-content\/uploads\/2016\/10\/ae_header.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1500\" \/>\n\t<meta property=\"og:image:height\" content=\"1000\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Kai Sacco\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Kai Sacco\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"11 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/mdcthereporter.com\\\/most-anticipated-movies-of-fall-2014\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/mdcthereporter.com\\\/most-anticipated-movies-of-fall-2014\\\/\"},\"author\":{\"name\":\"Kai Sacco\",\"@id\":\"https:\\\/\\\/mdcthereporter.com\\\/#\\\/schema\\\/person\\\/2e68665ec90cc601a7e0ae07aff08a9b\"},\"headline\":\"Most Anticipated Movies of Fall 2014\",\"datePublished\":\"2014-09-19T19:49:06+00:00\",\"dateModified\":\"2016-11-24T02:49:09+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/mdcthereporter.com\\\/most-anticipated-movies-of-fall-2014\\\/\"},\"wordCount\":2254,\"publisher\":{\"@id\":\"https:\\\/\\\/mdcthereporter.com\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/mdcthereporter.com\\\/most-anticipated-movies-of-fall-2014\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/mdcthereporter.com\\\/staging\\\/8357\\\/wp-content\\\/uploads\\\/2016\\\/10\\\/ae_header.jpg\",\"keywords\":[\"Movies\"],\"articleSection\":[\"A&E\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/mdcthereporter.com\\\/most-anticipated-movies-of-fall-2014\\\/\",\"url\":\"https:\\\/\\\/mdcthereporter.com\\\/most-anticipated-movies-of-fall-2014\\\/\",\"name\":\"Most Anticipated Movies of Fall 2014 - 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