{"id":31948,"date":"2022-06-27T11:15:42","date_gmt":"2022-06-27T15:15:42","guid":{"rendered":"https:\/\/mdcthereporter.com\/staging\/8357\/?p=31948"},"modified":"2022-07-21T13:56:29","modified_gmt":"2022-07-21T17:56:29","slug":"hello-nasty-peeled-back-the-madness-of-80s-hip-hop-a-decade-too-late","status":"publish","type":"post","link":"https:\/\/mdcthereporter.com\/staging\/8357\/hello-nasty-peeled-back-the-madness-of-80s-hip-hop-a-decade-too-late\/","title":{"rendered":"Hello Nasty Peeled Back The Madness Of 80s Hip-Hop A Decade Too Late"},"content":{"rendered":"

In the summer of 1998, long gone were the days of rappers addressing the audience with jester-like enthusiasm and an unwavering commitment to shutting down <\/span>Sucker M.C.’s<\/span><\/i>.\u00a0<\/span><\/p>\n

Hip-Hop had moved on from the music mentality of the 80s and traded idiosyncrasy for aggressiveness and social consciousness.\u00a0<\/span><\/p>\n

However, the culture didn\u2019t account for the Beastie Boys<\/span><\/a>. They released their nastiest project<\/span>\u2014<\/span> Hello Nasty<\/span><\/i>\u2014<\/span><\/i>their fifth studio album on July 14, 1998.<\/span><\/p>\n

Now, to say <\/span>Hello Nasty<\/span><\/i> was an overlooked album would be factually incorrect.\u00a0<\/span><\/p>\n

The album sold 681,000 copies in its first week, debuted at number one on the Billboard 200 and won two Grammy awards<\/span>\u2014<\/span>Best Alternative Music Album and Best Rap Performance by a Duo or Group.\u00a0<\/span><\/p>\n

\"Hello<\/a>
A Decade Too Late: The Beastie Boy’s fifth studio album Hello Nasty was released on July 14, 1998. The album called attention to 80s hip-hop when it wasn’t popular anymore. PHOTO COURTESY OF CAPITOL RECORDS<\/figcaption><\/figure>\n

But there lies the problem hiding in plain sight. Why did they win under the alternative genre? What arouses even more suspicion is the fact that <\/span>Hello Nasty<\/span><\/i> did not receive a nomination for Best Rap Album.\u00a0<\/span><\/p>\n

The argument can be made that the Grammys have a flawed system when it comes to their hip-hop-oriented awards but one thing is clear, the Beastie Boys\u2019 refusal to adapt to the sound of the late 90s was being rejected by the new guard.\u00a0<\/span><\/p>\n

That\u2019s not to say the veteran trio was making it any easier for the average listener.\u00a0<\/span><\/p>\n

On the contrary, <\/span>Hello Nasty <\/span><\/i>can be best explained by the cover art for the album, which depicts the three MC\u2019s basking in the sun while being packed into a sardine can. Describing the album as anything but a fever dream would be doing it a disservice.<\/span><\/p>\n

Super Disco Breakin’ <\/span><\/i>hits you with a flurry of abrasive 808\u2019s and record scratches that were ripped straight out of a kangol hat, boombox-infused nightmare.\u00a0<\/span><\/p>\n

The Move <\/span><\/i>begins with a beatboxing sample and techno sound effects backed up with female vocal chops and a beat switch full of smooth guitar plucks that wrap up with a sample from the 1970s El Rey Y Yo song <\/span>Los <\/span><\/i>\u00c1<\/span><\/i>ngeles Negros<\/span><\/i> over an unsparing drum loop.\u00a0<\/span><\/p>\n

Those moments on the first couple of instrumentals are only the tip of the iceberg as <\/span>Remote Control<\/span><\/i> introduces a smashing guitar riff soaked in psychosis which are only amplified by Mike D\u2019s vocals being purposefully distorted.\u00a0<\/span><\/p>\n

Psychedelic vibrations are continued in <\/span>The Negotiation Limerick File <\/span><\/i>that introduces high-pitched chirping reverberations that stay stuck to the back of your ear from start to finish.\u00a0<\/span><\/p>\n

The production on this album will give you an uneasy yet rhythmic feeling, like if you were falling down a rabbit hole but can\u2019t stop breakdancing on your way down.<\/span><\/p>\n

A Beastie Boys album wouldn\u2019t feel complete without the three originators refusing to lose their child-like wonder.\u00a0<\/span><\/p>\n

Operating on the same lyrical hive mind since their inception, there is no shortage of finishing each other’s sentences or sung-together choruses on <\/span>Hello Nasty<\/span><\/i>.\u00a0<\/span><\/p>\n

The boys return with their infectious energy that permeates throughout the entire tracklist. Their charisma is felt in every single line. They use each song as a stage where they chew on the scenery and munch on anything in their path.\u00a0<\/span><\/p>\n

It is impossible to forget to mention standout lyrics such as Mike D\u2019s \u201cfresh like a box of Krispy Kreme\u201d on <\/span>Three MC\u2019s and One DJ<\/span><\/i>.\u00a0<\/span><\/p>\n

As well as MCA\u2019s philosophical comparison of a bird planting seeds to the thoughts in your cerebral cortex on <\/span>Putting Shame in Your Game<\/span><\/i> and Ad-Rock\u2019s iconic declaration of his love for sugar with coffee and cream on the hit single <\/span>Intergalactic<\/span><\/i>.\u00a0<\/span><\/p>\n

Regardless of whatever era they are in, the group never seems to lose a step.<\/span><\/p>\n

The Beastie Boys pushed the limits and perfected the sound of 80s hip-hop when it wasn\u2019t the main attraction anymore, a classic example of being at the right place at the wrong time.\u00a0<\/span><\/p>\n

Still, this unfortunate scenario doesn\u2019t hurt their legacy, it just makes you wonder what could have been.<\/span><\/p>\n

Click<\/span><\/i> here<\/span><\/span><\/i><\/a> to subscribe to our bi-weekly newsletter, The Hammerhead<\/span><\/i>. <\/span>For news tips, contact us at <\/span><\/i>mdc.thereporter@gmail.com<\/span><\/i><\/a><\/span>.<\/span><\/i><\/p>\n","protected":false},"excerpt":{"rendered":"

In the summer of 1998, long gone were the days of rappers addressing the audience with jester-like enthusiasm and an unwavering commitment to shutting down Sucker M.C.’s.\u00a0 Hip-Hop had moved on from the music mentality of the 80s and traded idiosyncrasy for aggressiveness and social consciousness.\u00a0 However, the culture didn\u2019t account for the Beastie Boys. […]<\/p>\n","protected":false},"author":13482589,"featured_media":31280,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","tdm_status":"","tdm_grid_status":"","footnotes":""},"categories":[11],"tags":[36,209,240,3269],"class_list":{"0":"post-31948","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-ae","8":"tag-music","9":"tag-album-review","10":"tag-hip-hoprap","11":"tag-rewind-and-replay"},"yoast_head":"\nHello Nasty Peeled Back The Madness Of 80s Hip-Hop A Decade Too Late<\/title>\n<meta name=\"description\" content=\"Dylan Masvidal does a Rewind & Replay spotlight on the Beastie Boys\u2019 fifth studio album, Hello Nasty. 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