{"id":6216,"date":"2012-02-23T14:48:35","date_gmt":"2012-02-23T19:48:35","guid":{"rendered":"http:\/\/www.mdcthereporter.com\/?p=6216"},"modified":"2016-04-26T15:00:48","modified_gmt":"2016-04-26T19:00:48","slug":"2012-oscar-predictions","status":"publish","type":"post","link":"https:\/\/mdcthereporter.com\/staging\/8357\/2012-oscar-predictions\/","title":{"rendered":"2012 Oscar Predictions"},"content":{"rendered":"<p><strong>Best Picture<\/strong><\/p>\n<p>The Artist<br \/>\nThe Descendants<br \/>\nExtremely Loud &amp; Incredibly Close<br \/>\nThe Help<br \/>\nHugo<br \/>\nMidnight in Paris<br \/>\nMoneyball<br \/>\nThe Tree of Life<br \/>\nWar Horse<\/p>\n<p>Thoughts:<\/p>\n<p>Don\u2019t let the surprise inclusion of Extremely Loud &amp; Incredibly Pretentious fool you; this year\u2019s Best Picture race comes down to two films: The Artist and The Descendants. The Artist is the heavy favorite but faces stiff competition from the George Clooney camp. Both films are terrific pieces of work but The Artist holds the upper hand with its surprising universal accessibility despite its silent, black-and-white format. This is a typical Oscar film, but it will not be undeserving if declared the winner.<\/p>\n<p>The Predicted Winner: The Artist<br \/>\nThe Possible Spoiler: The Descendants<br \/>\nBiggest Snub: Drive<\/p>\n<p><strong>Actor in a Leading Role<\/strong><\/p>\n<p>Demi\u00e1n Bichir<br \/>\nA Better Life<\/p>\n<p>George Clooney<br \/>\nThe Descendants<\/p>\n<p>Jean Dujardin<br \/>\nThe Artist<\/p>\n<p>Gary Oldman<br \/>\nTinker Tailor Soldier Spy<\/p>\n<p>Brad Pitt<br \/>\nMoneyball<\/p>\n<p>Thoughts:<br \/>\nGary Oldman finally gets the respect he\u2019s deserved for so long with his first Best Actor nod, but his fantastic work in Tinker Tailor Soldier Spy won\u2019t be enough to beat out Jean Dujardin of The Artist.<\/p>\n<p>The Predicted Winner: Jean Dujardin, The Artist<br \/>\nThe Possible Spoiler: George Clooney, The Descendants<br \/>\nBiggest Snub: Michael Fassbender, Shame<\/p>\n<p><strong>Actor in a Supporting Role<\/strong><\/p>\n<p>Kenneth Branagh<br \/>\nMy Week with Marilyn<\/p>\n<p>Jonah Hill<br \/>\nMoneyball<\/p>\n<p>Nick Nolte<br \/>\nWarrior<\/p>\n<p>Christopher Plummer<br \/>\nBeginners<\/p>\n<p>Max von Sydow<br \/>\nExtremely Loud &amp; Incredibly Close<\/p>\n<p>Thoughts:<br \/>\nIt\u2019s nice to see Nick Nolte get recognition for his work in the vastly under-appreciated film Warrior, but Christopher Plummer\u2019s name being called for the Oscar is almost inevitable. The only surprise here is the lack of Albert Brooks in the lineup \u2014which most critics and I agreed was the best supporting work of 2011.<\/p>\n<p>The Predicted Winner: Christopher Plummer, Beginners<br \/>\nThe Possible Spoiler: Jonah Hill, Moneyball<br \/>\nBiggest Snub: Albert Brooks, Drive<\/p>\n<p><strong>Actress in a Leading Role<\/strong><\/p>\n<p>Glenn Close<br \/>\nAlbert Nobbs<\/p>\n<p>Viola Davis<br \/>\nThe Help<\/p>\n<p>Rooney Mara<br \/>\nThe Girl with the Dragon Tattoo<\/p>\n<p>Meryl Streep<br \/>\nThe Iron Lady<\/p>\n<p>Michelle Williams<br \/>\nMy Week with Marilyn<\/p>\n<p>Thoughts:<br \/>\nIt\u2019s almost as if the Academy purposely neglects certain performances just to get people riled up. First it was Fassbender for Best Actor, then Albert Brooks for Best Supporting, and now Tilda Swinton for Best Actress. This is another instance in which the year\u2019s best performance is left in the cold. But that\u2019s not to say that the other nominees aren\u2019t worthy. Viola Davis has been gaining traction since her SAG Award and now she\u2019s set to take down the Queen, Meryl Streep, for Best Actress. She\u2019s the clear front-runner and deservedly so.<\/p>\n<p>The Predicted Winner: Viola Davis, The Help<br \/>\nThe Possible Spoiler: Meryl Streep, The Iron Lady<br \/>\nBiggest Snub: Tilda Swinton, We Need to Talk About Kevin<\/p>\n<p><strong>Actress in a Supporting Role<\/strong><\/p>\n<p>B\u00e9r\u00e9nice Bejo<br \/>\nThe Artist<\/p>\n<p>Jessica Chastain<br \/>\nThe Help<\/p>\n<p>Melissa McCarthy<br \/>\nBridesmaids<\/p>\n<p>Janet McTeer<br \/>\nAlbert Nobbs<\/p>\n<p>Octavia Spencer<br \/>\nThe Help<\/p>\n<p>Thoughts:<br \/>\nThe Help carried one of the best ensembles of the year and a win for Octavia Spencer along with her co-star Viola Davis should solidify that. Spencer has already won a SAG Award and Golden Globe for Best Supporting Actress, which typically foreshadows things to come at the Oscars.<\/p>\n<p>The Predicted Winner: Octavia Spencer, The Help<br \/>\nThe Possible Spoiler: B\u00e9r\u00e9nice Bejo, The Artist<br \/>\nBiggest Snub: Carey Mulligan, Shame<\/p>\n<p><strong>Animated Feature Film<\/strong><\/p>\n<p>A Cat in Paris<br \/>\nAlain Gagnol and Jean-Loup Felicioli<\/p>\n<p>Chico &amp; Rita<br \/>\nFernando Trueba and Javier Mariscal<\/p>\n<p>Kung Fu Panda 2<br \/>\nJennifer Yuh Nelson<\/p>\n<p>Puss in Boots<br \/>\nChris Miller<\/p>\n<p>Rango<br \/>\nGore Verbinski<\/p>\n<p>Thoughts:<br \/>\nWhen I saw Rango earlier last year, I told everyone that it was one of the best animated movies I\u2019d ever seen and that it would get nominated for best Animated Feature Film and would likely win. It doesn\u2019t face much competition and should take home the award with ease.<\/p>\n<p>The Predicted Winner: Rango<br \/>\nThe Possible Spoiler:\u00a0 A Cat in Paris<br \/>\nBiggest Snub: The Adventures of Tintin<\/p>\n<p><strong>Directing<\/strong><\/p>\n<p>The Artist<br \/>\nMichel Hazanavicius<\/p>\n<p>The Descendants<br \/>\nAlexander Payne<\/p>\n<p>Hugo<br \/>\nMartin Scorsese<\/p>\n<p>Midnight in Paris<br \/>\nWoody Allen<\/p>\n<p>The Tree of Life<br \/>\nTerrence Malick<\/p>\n<p>Thoughts:<br \/>\nIt\u2019s almost a rule of thumb that whoever wins Best Director will also win Best Picture. This year things could get a little tricky. Although Michel Hazanavicius is the favorite, Martin Scorsese is posing a serious threat and could easily upset The Artist director. Many were skeptical when Scorsese announced that Hugo would be filmed in 3-D but the end product is nothing short of spectacular. Scorsese utilizes the 3-D as a companion piece to the progression of the story rather than a special effects gimmick. This is what happens when you marry technology with a master filmmaker.<\/p>\n<p>The Predicted Winner: Michel Hazanavicius, The Artist<br \/>\nThe Possible Spoiler: Martin Scorsese, Hugo<br \/>\nBiggest Snub: Nicolas Winding Refn, Drive<\/p>\n<p><strong>Documentary Feature<\/strong><\/p>\n<p>Hell and Back Again<br \/>\nDanfung Dennis and Mike Lerner<\/p>\n<p>If a Tree Falls: A Story of the Earth Liberation Front<br \/>\nMarshall Curry and Sam Cullman<\/p>\n<p>Paradise Lost 3: Purgatory<br \/>\nJoe Berlinger and Bruce Sinofsky<\/p>\n<p>Pina<br \/>\nWim Wenders and Gian-Piero Ringel<\/p>\n<p>Undefeated<br \/>\nTJ Martin, Dan Lindsay and Richard Middlemas<\/p>\n<p>Thoughts:<br \/>\nFor those interested in anything related to dance, Pina is a must see. And it\u2019s the first art-house film shot in 3-D for those fascinated by the format. This is another movie that makes great use of the 3-D technology by immersing the audience and adding depth rather than cheaply throwing things at the screen. The movements of the dance sequences in the third dimension are incredible.<\/p>\n<p>The Predicted Winner: Pina<br \/>\nThe Possible Spoiler: Paradise Lost 3: Purgatory<br \/>\nBiggest Snub: Interrupters<\/p>\n<p><strong>Foreign Language Film<\/strong><\/p>\n<p>Bullhead<br \/>\nBelgium<\/p>\n<p>Footnote<br \/>\nIsrael<\/p>\n<p>In Darkness<br \/>\nPoland<\/p>\n<p>Monsieur Lazhar<br \/>\nCanada<\/p>\n<p>A Separation<br \/>\nIran<\/p>\n<p>Thoughts:<br \/>\nNot only is A Separation the very best in the Foreign Language category, I would even go as far as to say that it\u2019s better than most of the nominees for Best Picture. It\u2019s a captivating drama that is precise and tense in its approach. A Separation is the winner here by a long shot.<\/p>\n<p>The Predicted Winner: A Separation<br \/>\nThe Possible Spoiler: In Darkness<br \/>\nBiggest Snub: Miss Bala<\/p>\n<p><strong>Writing (Adapted Screenplay)<\/strong><\/p>\n<p>The Descendants<br \/>\nScreenplay by Alexander Payne and Nat Faxon &amp;<br \/>\nJim Rash<\/p>\n<p>Hugo<br \/>\nScreenplay by John Logan<\/p>\n<p>The Ides of March<br \/>\nScreenplay by George Clooney &amp; Grant Heslov and<br \/>\nBeau Willimon<\/p>\n<p>Moneyball<br \/>\nScreenplay by Steven Zaillian and Aaron Sorkin<br \/>\nStory by Stan Chervin<\/p>\n<p>Tinker Tailor Soldier Spy<br \/>\nScreenplay by Bridget O\u2019Connor &amp; Peter Straughan<\/p>\n<p>Thoughts:<br \/>\nAny screenplay that has Aaron Sorkin\u2019s name attached to it usually entails a nomination followed by a win, but The Descendants will most likely take an easy win with it\u2019s whip smart dialogue.<\/p>\n<p>The Predicted Winner: The Descendants<br \/>\nThe Possible Spoiler: Moneyball<br \/>\nBiggest Snub: The Skin I Live In, Pedro Almodovar<\/p>\n<p><strong>Writing (Original Screenplay)<\/strong><\/p>\n<p>The Artist<br \/>\nWritten by Michel Hazanavicius<\/p>\n<p>Bridesmaids<br \/>\nWritten by Annie Mumolo &amp; Kristen Wiig<\/p>\n<p>Margin Call<br \/>\nWritten by J.C. Chandor<\/p>\n<p>Midnight in Paris<br \/>\nWritten by Woody Allen<\/p>\n<p>A Separation<br \/>\nWritten by Asghar Farhadi<\/p>\n<p>Thoughts:<br \/>\nAs with Best Director, the Original Screenplay category could also get tricky. While it may seem that The Artist is the obvious choice, Woody Allen\u2019s Midnight in Paris is arguably his best film since 1994\u2019s Bullets over Broadway and should take home the award with it\u2019s charming and clever screenplay.<\/p>\n<p>The Predicted Winner: Midnight in Paris<br \/>\nThe Possible Spoiler: The Artist<br \/>\nBiggest Snub: Melancholia<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Best Picture The Artist The Descendants Extremely Loud &amp; Incredibly Close The Help Hugo Midnight in Paris Moneyball The Tree of Life War Horse Thoughts: Don\u2019t let the surprise inclusion of Extremely Loud &amp; Incredibly Pretentious fool you; this year\u2019s Best Picture race comes down to two films: The Artist and The Descendants. The Artist [&hellip;]<\/p>\n","protected":false},"author":144,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","tdm_status":"","tdm_grid_status":"","footnotes":""},"categories":[11],"tags":[],"class_list":{"0":"post-6216","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-ae"},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>2012 Oscar Predictions - The Reporter: The Student Newspaper at Miami Dade College<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/mdcthereporter.com\/2012-oscar-predictions\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"2012 Oscar Predictions - The Reporter: The Student Newspaper at Miami Dade College\" \/>\n<meta property=\"og:description\" content=\"Best Picture The Artist The Descendants Extremely Loud &amp; Incredibly Close The Help Hugo Midnight in Paris Moneyball The Tree of Life War Horse Thoughts: Don\u2019t let the surprise inclusion of Extremely Loud &amp; Incredibly Pretentious fool you; this year\u2019s Best Picture race comes down to two films: The Artist and The Descendants. 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